Scalloped Table Update!

In my previous post here, you will find that I left you off on a completed design but it was all on paper.  I was very excited to start on the table but was still waiting on my Posca pens to arrive from Japan. They have the extra fine tip I was looking for. So, while I waited for the 25 day shipping projection, I started to start my grid on the table in pencil.

Session Three – Photo by Charity Woods

This was like the easiest part but it took me over 3 hours to complete. I decided that since this table would set me back quite a few hours, I would need to break up my time into blocks, 3 hour blocks. Since I had drawn out with details, the rough draft on paper in 6 hours, (2 sessions) I really thought that this part would take me longer, but instead of adding all the details, I just simply lined out a grid and left a lot to the imagination. What I found was that I had started changing the design slightly within the pencil outline.

One my next session, I didn’t make it near as far as I thought I would. By the time the three hours were done, I was amazed that I hadn’t made significant progress. Knowing this was paint, I was really trying to make sure there were no mess-ups. I didn’t want to have to redo the whole table.

This was no where near the detail that I wanted to do in the center, but in order not to get discouraged, I decided quickly that I would take my time and appreciate every step along the way. One of the amazing things that I discovered was that I was changing my pattern from the original one I drew on paper. Not drastically, but enough because I felt the table moving in a different direction. Its very difficult for me to draw the same thing twice in a row, they are always a little different.

Moving on to the fifth session. I made a lot more progress on this session, but I think maybe it was mostly because the elements were a lot smaller, and there wasn’t a lot of major design issues, but I will tell you that I can’t decide if my hand hurt more from this session or the sixth, which is where I added a lot of swirls.

A couple things I wanted to point out on this design point. The leaves, I think, photograph very well and I typically don’t do such a small design element at this point in any mandala. It seemed extremely too simple when I finished (Photo 1, Session 5). After adding the next level of that design, the entire ring came to life and looked way more detailed than I thought it would. After such a detailed design, I decided to outline the next ring bringing in just a few elements to break this level up from the next. Finally, I did my basic overlap triangle that is the base for so many designs. I felt like this was a great place to stop until I could figure out exactly what I was going to do.

Session six was killer! All of the swirls and the tiny details had my hand cramping at the end. If you’re keeping track, this is now 18 hours into this project. But the payoff of seeing my momma’s face when I am all done, will totally be worth it. If I am going to give her something that is “me” I am going to make it all the elements of me. Structured, yet flexible. Fun, yet functional. This table has been such a blessing to me to design so far.

Session six was the end of my first Posca pen. But I had one more, so I could continue on the next day. The final picture in Session six, sorta gives you an idea of how far I have come and just how far I still have to go to complete this table. Overall, I think its turning out far better than I could have imagined when I started.

Session Seven was very interesting. I painted this while watching White Christmas and trying to get well from a bout of sickness that had me couch ridden the day before. What better way to make myself feel better than to pull up my rocking chair and get to work.

After adding the final touches to the outside, I finished the whole table off with some flowers that mimic the scalloped edges of the table. (Pictured Below) Before I gave this finished table to my mom, I coated it with two layers of clear coat that I purchased in a spray can from an art supply store. It seems to seal in all the colors and there was no feathering as a result of the spray coat being used.

Overall, this project was such a joy to do and it was ready before Christmas. Not only did my parents love this table, it is now proudly displayed in their bedroom. I would love to know your favorite part of this project and what you would like to see in the future.

Scalloped Table

So I have this table that my mom gave me to put my touch on it. After asking her several times what exactly she wants, she told me that she wants an original me. This touched my heart in ways you may not comprehend. Someone is taking pride in my work. To have a piece of my work out there is amazing to me.

So I decided I would go through the process with you. I have so many pictures of this process but lets start with the table itself. (pictured above). This table was pre-painted with the colors that will be in my moms bedroom, which is where she hopes to keep this table. How am I supposed to actually get the measurements of the scallops since they are different sizes? Well I’m glad you asked! I decided on taping 9 sheets of regular paper together to cover the complete top of the table. After I taped them together I placed the center piece in the center of the table and pressed outward on the paper to give me the size and shape of the top of the table.

 

After I got the correct shape, I started with a pencil and created the grid lines using a pushpin and paperclips since I didn’t have anything that was big enough to give me the circles I needed. I will say that even I was impressed with the way that the paperclips created a perfect circle no matter how far out I went.  I highly suggest using this method if you have a large area to work on.  It took about three hours to get to this point, from making the paper to creating the grid lines. From there I started to create the patterns that I liked. This took another 2 hours to draw out the pattern.

Starting the next evening, I began to ink up the pencil drawings. I spent roughly 3 hours on this part as well, changing so much as I went along. Because my art supplies are packed away, the only thing I had to use was a Prismacolor brush pen that was blue. The above image is the end of the second day. I decided to keep the mandala in reference by taking the picture with the 18-inch ruler I have.

Finally, I decided to bring the inking all the way to the edge which was another 4 hours spent on detailing and changing the end product. The point of creating this piece on paper first is because I needed to measure out the full size of the mandala, as well as ensure that the mandala stopped where the scalloped edges started. Once I free-hand the pattern on the table, I will then create the patterns within the scalloped edges at that time.

Although this is not the final project, it does show the progression to the point where I am at currently. I have really enjoyed this process and can’t wait until I am able to transfer it onto the table. Look for a vlog on my YouTube channel about different mediums being tested to see how they interact with a protective coat on top. If there is a medium you would like for me to try, please comment below.

I will post again when I actually start putting the design on the table.  Let me know what you think so far!